For the past decade, Jessica Bailey’s Fables ensemble has been a familiar fixture in Tāmaki Makaurau’s independent music scene. Their sound elegantly marries the intimate, bed-sit qualities of folk revival music with the expansive, range-roving sensibilities of alt-country and Americana, drawing comparisons to Gillian Welch, Laura Marling, Adrianne Lenker, and their peers.
Fables’ songs split the difference between interiority and the external themes that pull us together or push us apart. In the process, they ripple with an intensity where the touch of a lover is certain ecstasy, and the cold flinch of rejection feels like existential death. Underpinned by elegant guitar figures, Bailey’s music riffs outwards from the conventions of the traditional singer-songwriter idiom, painting with a broad brush as she folds synthesisers and a sonic punch into a free-flowing confluence of open tunings and naturalistic instrumentation that mirrors the changing seasons. A songwriter who knows the devil is in the details: the ones you leave in and the ones you leave out, Bailey draws deeply from the highs, lows, and mundane middle of everyday reality. The result is economical but arresting narratives with a surreal slant. Call it folk obscura.
Whether recording in the studio or playing live with her band, Bailey plays it as it lays, always looking for the opportunities that lie in every given moment. Embracing the beauty in quiet moments and the riotous, life-affirming power of a song in full flight, Fables reaffirm Bailey’s commitment to harnessing the full range of human emotion in each musical experience. Every morning is a chance to be new.